We wanted also to control the ‘harmonics’ of the oscillator…changing the waveform using the XY pad.įirst released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and - most importantly - musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. A XY pad is perfect for the human input, but it controls only the filter and volume… We found this to be too limited. The ‘human input’ is the keyboard we play and controllers like pitch bend or modulation wheel. ![]() The classic synthesizer parts for modulation are LFOs and Envelopes. ![]() The initial idea for Blade was born out of the want to have more ‘human input’ into the sound.
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